Nielsen: Netflix’s ‘His & Hers’ Ended ‘Stranger Things’ Reign as Most-Streamed Weekly Household TV Content Through Jan. 18

The Netflix mystery thriller “His & Hers” added more than 800 million minutes in its second week of availability to top Nielsen’s weekly household TV streaming charts with 2.24 billion minutes through Jan. 18.

The tally ended the nine-week No. 1 reign of Netflix’s “Stranger Things,” which added  1.9 billion minutes across 42 episodes at No. 2 overall.

The season two finale of Paramount+’s “Landman” pushed the Billy Bob Thornton-starrer to a new weekly high of 1.77 billion minutes. About 35% of total viewing went to the final episode, and 60% went to the finale and previous episode. Over the course of the 10-week run, “Landman” tallied 10.3 billion minutes, averaging roughly a billion minutes per episode.

Topping the movie chart and No. 4 overall was the Netflix crime thriller The Rip. The Matt Damon and Ben Affleck feature premiered on Jan. 16 and drew 1.39 billion minutes over its opening weekend to become the first feature to cross the billion minute threshold in 2026. Audience-wise, the movie skewed slightly male (51%) and over-indexed the TV population among both Hispanic (26%) and Black (18%) viewers.

HBO Max’s “The Pitt” added 1.16 billion minutes, ranking No. 4 among originals and No. 5 overall. Women 18+ have played a big role in the show’s success, and accounted for 58% of watch time this week.

Two new episodes of Peacock’s “The Traitors” helped drive viewing up 13% to 892 million minutes (No. 6 original, No. 8 overall). Prime Video’s “Fallout” added 844 million minutes (No. 7 original, No. 9 overall), with the highest concentration of men 18-34 (18%) of any original title.

The Hulu original drama “Tell Me Lies” returned for its third season on Jan. 13, totaling 391 million minutes across 21 episodes to rank No. 8 on the  originals chart, with 47% of viewers in the 18-34 demo.

The acquired charts saw the addition of the first five seasons of the animated superhero series “Teen Titans Go!” on Netflix, which promptly added 600 million minutes to rank No. 10. The show had the highest concentration of teen viewers (18%) across the top 10.

Finally, Netflix released the behind-the-scenes documentary One Last Adventure: The Making of Stranger Things 5, which ranked No. 4 among movies with 307 million minutes. Netflix’s People We Meet On Vacation was up 13% from its opening weekend with 618 million minutes in its first full week of availability (No. 2 on the movie chart).

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His & Hers

STREAMING REVIEW:

Netflix;
Thriller;
Rated TV-MA.
Stars Tessa Thompson, Jon Bernthal, Pablo Schreiber, Rebecca Rittenhouse, Sunita Mani, Crystal Fox, Marin Ireland, Poppy Liu, Chris Bauer.

Netflix’s “His & Hers” is a sharp and engaging limited series (six 45-minute episodes) that retools the traditional small-town murder mystery into a study of domestic wreckage and professional rivalry. Set in the humid outskirts of Atlanta in Dahlonega, the story tracks a high-profile newscaster who, after a year of exile following the death of her infant, returns to her job and hometown to investigate murders involving her childhood friends. It is a sleek, industry-focused noir — a style that uses dark, cynical themes but polishes them with high-end production to show the cutthroat nature of the news media world. While it doesn’t reach the level of prestige series such as “Breaking Bad” or “Ozark,” it features a powerhouse cast and top-tier production, making it an addictive, “guilty pleasure” thriller.

The series avoids the sterile, “catalog-ready” look of many streaming mysteries. Instead, showrunner and British film and theatre director William Oldroyd uses gritty, tactile realism. You can practically feel the Georgia heat and the mess of the grieving households, which makes the small-town setting feel less like a safe haven and more like a weaponized trap. The show is a major project for Freckle Films, the banner led by Jessica Chastain, who partnered with Fifth Season — the studio behind “Severance” — to ensure the show looks expensive and cinematic, even when the plot gets “theatrical.”

Tessa Thompson holds the mystery together as Anna Andrews, a woman caught between professional ambition and personal ruin. Thompson, who you might recognize from her roles as Valkyrie in the Marvel Cinematic Universe and Bianca in the “Creed” franchise, brings a grounded, volatile energy to Anna. Opposite her, Jon Bernthal provides a necessary anchor as Jack Harper, Anna’s estranged husband and the lead detective. Bernthal is a veteran of intense, character-driven action, having led Marvel’s “The Punisher” and played the unforgettable Shane in “The Walking Dead.” Bernthal makes it work despite his character being deeply flawed and making several missteps.

The “juice” of the show is the web of infidelity: Jack slept with a murder victim, and Anna retaliated by sleeping with Richard (Pablo Schreiber), the cameraman husband of her professional rival. Their interracial dynamic is handled naturally, focusing on the remains of a broken marriage — defined here as the total emotional and structural collapse of a private life — rather than social tropes. By casting actors of Thompson and Bernthal’s stature, the production ensures that these messy, personal betrayals feel like high-stakes drama rather than simple tabloid fodder.

The supporting cast keeps the pacing lean, tracing a group of characters still stuck in high school pecking orders. Rebecca Rittenhouse shines as Lexy Jones, the rival newscaster who changed her name from Catherine Kelly to bury a past of being severely bullied for being fat. Her transformation from a victimized outsider into a thin, ruthless competitor highlights the theme that you can’t outrun your origins. Joining the investigation is Sunita Mani, known from “Glow” and “Mr. Robot,” as Detective Priya, Jack’s partner. Mani plays a vital role as the team player who throws us off; as a secondary sleuth, she often casts doubt on the primary investigation, keeping us wondering if the detectives themselves have something to hide. While the series occasionally goes over the top — like a grandstanding news report where you’ll want to yell at the mayor to grab the mic — the acting keeps you invested.

“His & Hers” isn’t perfect, but it respects our time by delivering a fast-paced, intentionally misdirected story that is worth watching.

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Netflix: Georgia Crime Drama ‘His & Hers’ Topped Weekly Streaming Through Jan. 11

The new Georgia-based crime drama “His & Hers,” starring Jon Bernthal and Tessa Thompson, ranked No. 1 overall on Netflix, including on the English-language TV chart, with 19.9 million views for the week through Jan. 11.

Thompson plays Anna, a reporter who’s estranged from her husband Jack, a detective played by Bernthal. They’re reunited by a murder in their sleepy Georgia town: She’s reporting on the crime and he’s investigating it, but both think the other is a prime suspect.

A film based on Emily Henry’s 2021 best-selling novel People We Meet on Vacation transitioned into the No. 1 English-language movie for the week. The film, starring Emily Bader and Tom Blyth, tallied 17.2 million views.

The South Korean sci-fi disaster movie The Great Flood remained atop the foreign-language movie chart with 5.2 million views. In the film, AI researcher Anna (Kim Da-mi) fights for the lives of her and her son as they seek safety from a global flood in their high-rise apartment.

The Swedish crime series “Land of Sin,” which chronicles the investigation into a murder in the Scandinavian countryside, rose to No. 1 on the foreign-language TV chart with 3.2 million views.

The fifth and final season of the sci-fi blockbuster “Stranger Things ” ranked No. 3 on the English-language TV chart with 9.3 million views. The season also moved up to No. 6 on Netflix’s all-time most popular English-language TV shows with 115 million views.

All five seasons of the series remained in the top 10 for a seventh week, with season one at No. 4 (5 million views), season two at No. 6 (4.5 million views), season three at No. 7 (4.4 million views), and season four at No. 8 (4.1 million).

At No. 2 on the English-language TV chart, with 15.6 million views, was “Run Away,” the Harlan Coben-based mystery drama starring Ellie de Lange, James Nesbitt and Minnie Driver, among others.

Evil Influencer: The Jodi Hildebrandt Story documentary, about a Utah therapist (Hildebrandt) whose child abuse arrest with parenting YouTuber Ruby Franke exposed a web of manipulation, ranked No. 2 on the English-language movie chart film with 9.1 million views.

In addition to winning two Golden Globe Awards over the weekend, KPop Demon Hunters took No. 4 on the English-language movie chart with 7.6 million views.

The fourth season of the Spanish comedy series “Alpha Males,” about the lives of men in their 40s, bowed at No. 6 on the foreign-language TV chart with 2.1 million views.

Finally, “Emily in Paris” ranked No. 5 on the English-language TV chart with 4.5 million views. The series, which stars Lily Collins in the title role, was renewed for a sixth season.

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