May the Revenue Wars Begin

This year’s CES was easily my busiest in two decades. Not since the launch of Blu-ray Disc — and the flurry of studio announcements that surrounded CES 2006 — have I attended so many meetings, presentations, breakfasts, press conferences and off-floor briefings packed into such a short span of days. CES 2026 wasn’t just busy; it felt consequential.

Among the highlights: Dolby’s sweeping partnership with Peacock, in which the NBCUniversal streamer will embrace virtually the full suite of Dolby’s advanced picture and sound technologies, from Dolby Vision to Dolby Atmos and beyond. Lionsgate’s content deal with Xumo, which includes select Pay-1 movies — widely believed to be a first for a FAST service, and a telling sign of how quickly free ad-supported platforms are moving upstream. Xperi’s TiVo division unveiled new home-screen interface capabilities designed to help advertisers reach consumers across the entire TV experience, not just within individual apps. And at the annual OTT.X breakfast, the focus was squarely on ad-supported streaming and the enabling technologies reshaping the economics of television.

As usual, the streamers, ad-tech players and platform executives were largely holed up along the Aria–Vdara–Cosmopolitan corridor. At the Aria, the lines to the meeting-suite elevators snaked clear through The Promenade. On more than one occasion, it felt more crowded than the actual CES show floor on opening day — a reminder that the real business of CES increasingly happens behind closed doors, far from the convention center.

All of it served as a harbinger of the year ahead. Home entertainment, in all its manifestations, is on a roar. As Media Play News editor-in-chief Stephanie Prange notes in our 2026 home entertainment forecast, exciting times lie ahead — and the fireworks extend well beyond the fate of Warner Bros. Discovery or the ongoing reinvention of Paramount under David Ellison.

After a year of stabilization in 2025, the home-entertainment business is entering a new phase in 2026 defined by streaming dominance, consolidation and more-disciplined monetization. Subscription streaming — led decisively by Netflix — has emerged as Hollywood’s primary profit engine. After years of cash burn, most major services are now profitable or on a clear path to profitability, even as price hikes continue. At the same time, ad-supported tiers, FAST platforms and bundling strategies have become central to growth, retention and churn management.

YouTube, meanwhile, is rapidly becoming a true TV competitor rather than a streaming outlier. Creators are evolving into studios, and studios are learning to think more like creators. Discovery is increasingly shifting away from individual apps and toward operating-system-level aggregation and AI-driven interfaces — an area where companies such as Cineverse, with its Cinesearch technology, are pushing the industry forward by making content easier to find across platforms and business models.

FAST, once dismissed as a secondary distribution channel, has matured into a core revenue pillar. It now serves as both a primary viewing destination and a strategic front door into paid ecosystems. At the same time, transactional — both digital and physical — has sharpened its role as a premium monetization bridge in the release-window ecosystem. Ownership, catalog value and event-driven releases continue to matter, even in an increasingly flat-fee, all-you-can-watch streaming world.

CES 2026 made one thing clear: The streaming wars may be over, but the revenue wars are just beginning. And for the home-entertainment industry, that’s where the real story now lies.

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CES 2026 Pushes Media and Entertainment Beyond the AI Hype Cycle From Promises to Proof

CES has long been a signal for where technology and media are headed. CES 2026, however, marked a clear turning point for the media and entertainment industry.

Welby Chen

This year was not about bold promises or speculative roadmaps. It was about delivery. For many media executives, the most meaningful conversations did not take place on the show floor, but in meetings, panels, and side discussions in and around the Aria, where the focus shifted decisively from vision to execution.

Across conversations with studios, FAST platforms, distributors, and technology partners, one message was consistent. The industry is no longer rewarding ambition alone. It is demanding proof.

Below are my five key takeaways from CES 2026.

1. The “Trust Me” Era Is Over. Practical AI Is Now the Standard.

For the past several years, simply saying “we are using AI” was often enough to generate interest. That moment has passed. At CES 2026, executives were asking sharper, more practical questions:

  • What workflows are actually automated today?
  • Where has AI reduced cost, risk, or manual effort?
  • How are results measured in financial or operational terms?

 

AI fatigue is real. Investors, customers and partners are no longer impressed by aspirational language or long-term promises. They want evidence of value that already exists.

This has created a clear divide between theoretical AI and practical AI. Theoretical AI focuses on what might be possible in the future. Practical AI focuses on what is deployed, trusted and measured today.

Media executives are increasingly skeptical of broad “agentic AI” claims that are not tied to specific workflows. The most credible discussions centered on narrow, well-defined use cases with clear accountability, human oversight, and transparent decision logic.

In media, AI often touches sensitive areas such as rights data, revenue reporting and licensing decisions. In those environments, explainability matters as much as capability. Black-box systems introduce risk, not confidence.

The takeaway is simple. AI adoption in media is no longer about ambition. It is about accountability and measurable impact.

2. FAST Is Shifting From Expansion to Optimization

FAST remains an important distribution model, but CES 2026 made it clear that the market is maturing.

Conversations with platform operators and companies that build and monetize FAST channels suggest the industry may have reached, or is nearing, peak channel proliferation. The focus is increasingly on the 20% of channels that drive 80% of revenue.

FAST platforms are becoming more selective. Publishers are finding it harder to secure carriage unless a channel brings recognizable branding, an existing audience, or clear marketing support.

In short, FAST platforms are trimming the fat.

This shift signals a move away from land-grab strategies toward optimization, where performance, brand equity, and monetization efficiency matter more than raw channel count. For publishers, the bar is rising, and data-driven decision-making is essential.

3. Consolidation Is Accelerating Across the Media Ecosystem

While industry headlines often focus on mega-deals involving major studios and Big Tech, CES 2026 highlighted that consolidation is happening at every level of the media ecosystem.

Mid-sized and independent media companies are combining to gain scale, improve leverage, and survive in a more competitive environment. Portfolio strategies are replacing single-brand strategies, and operational efficiency is becoming a requirement rather than a differentiator.

As companies merge, complexity increases. Content libraries expand. Rights portfolios overlap. Legacy systems collide. Manual processes do not scale in this environment.

For many organizations, consolidation is less about strategy and more about operational readiness. Those without modern, flexible platforms will feel the strain first.

4. Future-Proofing Now Means Measurable Progress

One of the most common questions raised at CES this year was, “What are you doing to future-proof your business?”

The most credible answers were also the most practical.

Future-proofing today means building systems that adapt as distribution models evolve, data architectures that can absorb acquisitions, and AI that evolves alongside business rules. It also means investing in teams that continuously learn, rather than assuming transformation is a one-time event.

The industry is moving away from static transformation projects and toward continuous optimization. Media companies that treat AI, FAST or automation as check-the-box initiatives risk falling behind just as quickly as those that delay adoption altogether.

5. Scale Alone Is No Longer a Growth Strategy

A recurring undercurrent at CES 2026 was the recognition that the traditional media playbook is reaching its limits, especially for the largest global players.

Simply adding more channels, more content or more distribution partners is no longer a reliable growth lever. In many cases, major platforms are now competing with each other for the same audiences, the same creators, and the same advertising dollars.

The next phase of growth will require moving beyond what worked in the last decade.

That means taking a more disciplined, intentional approach to emerging growth vectors such as the creator economy, short-form video, podcasts, live sports and gaming. These are not side experiments or marketing add-ons. They are becoming core pillars of audience engagement, discovery and monetization.

It also means preparing for new content experiences and form factors, including immersive and spatial formats that extend storytelling beyond traditional screens. As new devices and interfaces enter the market, the opportunity will favor companies that can adapt content and business models without fragmenting their operations.

For global media companies, the challenge is not just access to scale. It is finding differentiated growth without crowding into the same plays as everyone else. CES 2026 made it clear that the next winners will be those willing to expand the playbook, not just optimize the existing one.

Final Thought

CES 2026 did not feel like the beginning of an AI revolution. It felt like the moment the industry matured. The hype cycle has cooled. Expectations have sharpened. The mandate is clear. Deliver, measure and explain. From AI to FAST to consolidation, the message from Las Vegas was unmistakable. Show us what works. Do not just tell us what might.

Welby Chen is CEO of Whip Media, a SaaS company powering the media and entertainment industry.

CES 2026 Recap: AI, Robots and Streamers

LAS VEGAS — CES 2026 concluded its annual four-day run Jan. 9 with the biggest buzz around practical uses of AI, the emergence of life-like robots, and streaming.

Streaming, in fact, was on everyone’s tongue, particularly in the branded “C-Space” consisting of the Aria, Vdara and Cosmopolitan hotels.

There, representatives from virtually every major streamer crowded the halls, bars, restaurants and suites, resulting in long lines at the elevators (particularly at Aria) and several takeovers, including Netflix’s occupation of the Easy’s Cocktail Lounge speakeasy at the Aria and Xumo’s immersive, branded event space called “The Xumo Experience” on the ground floor of the Vdara. There, Xumo and Lionsgate announced a new multiyear content deal that makes Xumo Play, Google TV Freeplay and Xumo-branded FAST channels the exclusive streaming home for select Lionsgate films during their Pay-1 windows.

Also holed up at C-Space were executives with Amazon Prime Video, Disney Advertising Sales, Xperi, and NBCUniversal Media (parent of Peacock), along with Meta, Reddit, Roku and X.

Xperi’s TiVo division announced new features for its home screen user interface that enable advertisers to better reach consumers across the TV screen. The new feature aims to provide advertisers with easier monetization opportunities on smart-TV screens, including full-screen video advertisements and shoppable QR codes.

Nearby, at the Dolby Live theater at the Park MGM, Dolby Laboratories and NBCUniversal announced Peacock will be the first streaming platform to embrace Dolby’s full suite of advanced picture and sound innovations. The partnership will see a gradual rollout of both Dolby Atmos and Dolby Vision — an advanced high dynamic range (HDR) video technology that enhances picture quality by optimizing brightness, contrast, and color on a scene-by-scene or even frame-by-frame basis using dynamic metadata — to Peacock’s portfolio of movies, original productions, and live sports and events.

At the Tech Trends to Watch presentation on the Sunday before the show opened, Melissa Harrison, VP of marketing and communications for CES producer the Consumer Technology Association (CTA), called out “the rise of ad-supported streaming” as a primary driver in a projected 4.2% uptick for 2026 in consumer spending on software and services.

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And on opening day, Jan. 6, the OTT.X breakfast at the Stirling Club, across the street from the Las Vegas Convention Center, featured a presentation of Parks Associates’ annual State of Streaming report as well as several presentations focused on the burgeoning advertising market in ad-supported streaming. Speakers included Pieter de Zwart, director of advertising engineering for Amazon Ads, and Paul Claussen, director of strategic partnerships and business development at Comcast Technology Solutions.

Television technology, as it does every year, commanded the spotlight in the central hall of the Las Vegas Convention Center. Very evident this year across the show floor was the rise of Micro RGB display technology: an evolution of LED backlighting that uses individually controlled red, green and blue LEDs as the light source instead of standard white or blue LEDs filtered into colors. The result: significantly deeper color accuracy and brightness than traditional LED models.

What the CTA maintains is the “largest post-pandemic CES” welcomed more than 148,000 attendees from around the world, 55,000 of them from outside the United States. More than 55% of CES attendees were senior-level executives. The show also had more than 4,100 exhibitors across upwards of 2.6 million square feet of exhibit space, including some 1,200 startups.

“CES is the world’s most powerful proving ground for innovation,” said Gary Shapiro, executive chair and CEO of the CTA. “CES is more than a showcase; it’s where technology meets community, business, and policy. Global leaders, startups, and policymakers came together to highlight technologies that will define the next decade of economic growth and competitiveness.”

“The energy at CES 2026 was extraordinary,” said Kinsey Fabrizio, president of the CTA. “CES brings the global tech ecosystem together for an unmatched volume of deal-making, partnerships, and idea-sharing. The innovation unveiled this week spanning AI, quantum, mobility, robotics, health, and so much more, underscores CES as the global stage where bold ideas move from vision to reality.”

 

CES 2026 Concludes Annual Four-Day Run with Full Schedule of Programming

LAS VEGAS — CES 2026 concludes its annual four-day run in Las Vegas Friday with a Shark Tank pitch at the Venetian and a full day of panels, presentations and add-on (at an additional cost) training programs focused on AI, along with the trade show’s traditional closing party.

“Understanding AI Agents,” part of the CES AI Trainings program and moderated by James Poulter of Poulter Ventures, explores how agentic AI systems autonomously complete tasks, learn, and improve performance.

In the two-part “AI Strategy” program, also part of CES AI Trainings, AI Leadership Institute CEO Noelle Russell teaches attendees how to align AI with business goals, identify use cases, and build the right base to scale AI with clarity and purpose — and then implement AI from building teams to selecting tools and managing change-using a clear, step-by-step approach.

In the workshop Beyond Brainstorming: Creative Thinking for the AI Era, strategist HB Siegel shows attendees how to use provocation, abstraction, and disruption to unlock ideas with classic methods adapted to today’s AI landscape.

And in AI You Can Trust: The Adoption Checklist to Get Value in 90 Days, also part of CES AI Trainings, enrollees will be given a practical checklist and scorecards to de-risk deployments and scale with confidence. The instructors are Uvika Sharma, founder of INTLDA, a global data and AI advisory firm, and Padmini Soni, a senior AI strategist and founder of Rezonance.AI, which helps organizations build responsible AI tied to real business goals.

Also on tap for Friday is a Senate perspective on advancing tech innovation and federal priorities for Congress in 2026, featuring Sens. Jacky Rosen and Gary Peters.

The full CES schedule may be accessed here.

Disney+ to Launch ‘Vertical’ Short-Form Content for Mobile Devices

The Disney+ subscription streaming video service plans to roll out “vertical entertainment” designed for mobile devices featuring short-form content similar to that on social media platforms such as YouTube, TikTok and Instagram.

Disney made the announcement Jan.7 at the company’s annual Tech + Date Showcase at CES 2026 currently underway in Las Vegas.

The vertical entertainment, which will roll out late this year, will include a personalized feed showcasing a mix of original content, news and entertainment clips, and reportedly AI-generated features as well.

“We’ll look to evolve the experience over time,” Disney said in a media announcement, adding that the concept aims to “explore utilizing short-form content in a variety of ways across categories, and content types, for a personalized and dynamic feed.”

Disney+ as of Sept. 30 had 59.3 million North American subscribers and 131 million global subscribers. About 70% of the U.S. digital video audience watches videos on smartphones, Disney reports.

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Roku, iSpot Bringing Outcome-Based Optimization to Ad-Supported Streaming

Roku Jan. 6 announced an expanded pact with iSpot technology to help third-party advertising brands achieve more-accountable, performance-focused campaign results on the Roku platform.

Roku advertisers can now use iSpot-attributed outcomes to track return-on-investment, adjust creative strategies, and help drive business results, such as Web conversions. Early testing showed strong results, including a 23% increase in ad leads and a 31% increase in website visits, according to Roku.

“Our expanded partnership represents an important step in our mission to give advertisers the most effective and measurable streaming advertising solutions,” Miles Fisher, senior director of strategic advertising partnerships at Roku, said in a statement.

The optimization features build on the data and measurement partnership first announced in 2024.

“This deeper integration with Roku marks a key moment for outcome-based streaming,” Stuart Schwartzapfel, EVP of media partnerships at iSpot, said in a statement. “We’re not just measuring performance; we’re helping drive it, ensuring advertisers gain new levels of efficiency and ROI directly on the Roku platform.”

Roku, which helped launch the SVOD market in the United States with Netflix, reports that more than 80 million U.S. households owned a Roku device through Sept. 30. The platform topped 90 million streaming households in January 2025.

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Samsung Unveils Teaser Video Ahead of Its CES 2026 ‘The First Look’ Presentation

Samsung Electronics on Dec. 23 unveiled a teaser video revealing the theme of its “The First Look 2026” presentation at CES 2026: “Your Companion to AI Living.”

The teaser underscores Samsung’s intent to integrate AI across its products and services.

The video uses vibrant lights and lines to form silhouettes of new innovations set to debut at The First Look. In the final scene, the light flows into Wynn Las Vegas, where the event will be held, revealing the theme.

The First Look 2026 will kick off on Jan. 4, 2026 at 7 p.m. PT — two days before the opening of CES 2026 — with a media event at Wynn Las Vegas, followed by four days of exhibitions, tech forums and other events through Jan. 7.

The media event will feature key Samsung executives, who will outline customer experience innovation strategies across their respective areas.

The tech forums will be held from Jan. 5 to 6, with four sessions covering topics including AI, home appliances and design.

CTA Partnering With Cannes Organizer on CES Film Tech Award

The Consumer Technology Association (CTA), owner and producer of CES,  is partnering with the Marché du Film of the Festival de Cannes, organizer of Cannes Next, the innovation program for the film industry, to introduce a new CES Innovation Awards  category for CES 2026 focusing on film production and distribution.

The “Filmmaking & Distribution, in partnership with Cannes Next” category will recognize technologies and tools to produce films, bring films to audiences, and support the business side of the industry.

During a Cannes Next fireside chat at the Cannes Film Festival, Gary Shapiro, CTA CEO and vice chair, and Guillaume Esmiol, Marché du Film executive director, unveiled the details of the partnership. Shapiro discussed how AI-driven tools, immersive technologies, and hardware innovations are designed to enhance the creative process and streamline workflows in film and media production.

“This award showcases how creators in film can use tech to unlock new worlds,” Shapiro said. “We’re thrilled to partner with Cannes Next and recognize the community of innovators who are transforming the film industry as we know it.”

This new award category celebrates solutions that empower storytellers and industry professionals from producers, sales agents, and distributors to financiers and content creators. As part of the partnership, members of the Cannes Next community will serve as judges. The award will celebrate companies, startups, entrepreneurs, and filmmakers developing transformative technologies that empower creative talent and industry professionals across filmmaking, production and distribution. Eligible award entries include:

  • Audio and video equipment
  • Pre- and post-production software
  • Streaming services
  • Cloud-based video distribution technologies

 

Submissions will also encompass advancements in generative AI for screenwriting, video, and voice, as well as virtual production, visual effects (VFX), and next-generation distribution platforms.

“At the Marché du Film, we are committed to showcasing innovations that empower creatives, storytellers, and industry professionals, shaping the future of cinema,” Esmiol said. “The global reputation of CES Innovation Awards makes it the perfect platform to showcase new technologies that enhance artistic expression and unlock new business opportunities for the film industry.”

The annual CES Innovation Awards recognize and honor exceptional designs and engineering in technology that tackle global challenges and drive meaningful change. Product submissions for CES 2026 open in June, along with submissions to judge the awards program.

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CES 2025 Ends Four-Day Run with Record Number of Exhibitors

LAS VEGAS — CES 2025 ended its annual four-day run Jan. 10 with a focus on AI’s move from the theoretical to the practical and even more exhibits than before the pandemic.

Preliminary figures released by the Consumer Technology Association, which owns and produces CES, in advance of a spring third-party audit show 141,000 attendees and more than 4,500 exhibitors, up from 135,000 attendees and 4,300 exhibitors at last year’s show.

The exhibitor count exceeds the 4,400 exhibitors at CES 2020, which at the time was a record.

“CES is where innovation comes to life,” said Gary Shapiro, CEO and vice chair of the Consumer Technology Association, owner and producer of CES. “From the largest companies to trailblazing startups, the entire tech ecosystem is at the show. CES is the stage for groundbreaking product launches, transformative partnerships, and serendipitous business moments that define the future of technology.”

The CTA noted that 40% of attendees came from more than 150 countries, regions and territories outside the United States. Aside from the show floor, CES 2025 boasted more than 300 conference sessions with upwards of 1,200 speakers, as well as keynotes by X Corp. (formerly Twitter) CEO Linda Yaccarino, Panasonic Holdings Group CEO Yuki Kusumi, Nvidia founder and CEO Jensen Huang, SiriusXM CEO Jennifer Witz, Accenture chair and CEO Julie Sweet, Volvo Group CEO and president Martin Lundstedt, Delta CEO Ed Bastian, and Waymo co-CEO Tekedra N. Mawakana.

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The show floor, as usual, was dominated by massive exhibits from such big consumer electronics mainstays as Samsung, Sony, Hisense, TCL, Panasonic and Toshiba — although TVs, no matter how smart, didn’t always command center stage.

Samsung’s booth, as usual one of the biggest, delivered on the theme of “AI for All” with displays for smart homes, smart healthcare and even an AI-powered management system for ships called SmartThings. TVs, however, were conspicuously absent, except for a big display of art TVs, dubbed The Frame, which use ambient light sensors to make a static screen display of paintings and photographs look like real art when the TV is not in use.

Samsung trumpeted its impressive slate of smart TVs two days before the show opened at a press conference that saw the unveiling of Samsung Vision AI, a new intuitive technology that will be implemented across all Samsung AI-powered screens and devices, including newly introduced models Neo QLED 8K, Neo QLED 4K and OLED models.

Other CE companies didn’t shy away from using the show floor to flaunt their latest smart sets and Laser projection TVs, the cool new thing at this year’s CES.

Hisense — with a booth theme of “AI Your Life” — showed off its gargantuan 136-inch MicroLED TV as well as its 116-inch TriChroma LED TV, which the company says is the only consumer model to use RGB Local Dimming Technology, which offers unparalleled color precision, vibrancy and efficiency.

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TCL exhibited its new line of QM6K TVs, featuring TCL’s enhanced QD-Mini LED system and powered by its new Halo Control Technology Suite of hardware and processing advancements. Also at the TCL booth was the 115-inch TCL QM7K Mini-LED TV, which the company says is the world’s largest.

Also new on the TV front were LG Electronics’ LG G5 OLED TV, which the company says is 40% brighter than last year’s G4, and a 55-inch OLED set by a company called Displace TV that gets stuck to the wall using suction cups.

AI promises to drive the technology market in 2025, CES executives said at the pre-show Tech Trends presentation here Jan. 5 in advance of CES 2025. The forecast, prepared by the CTA, cited research showing that 93% of U.S. adults are familiar with generative AI, 64% use AI when shopping online, and 61% have used an AI tool at work.

Presenters Brian Comiskey, the CTA’s senior director, innovation and trends, and Melissa Harrison, VP of marketing and communications, said the CTA report projects that consumer spending on technology in 2025 will grow to $537 billion from $520 billion in 2024. Hardware spending is projected to come in at $353 billion, with software spending at $184 billion.

CES 2025 Officially Opens With Focus on Practical Rather Than Theoretical AI Applications

LAS VEGAS — CES 2025 officially opened Jan. 7 at the Las Vegas Convention Center, in the throes of an ambitious remodel, and various other nearby venues.

The concourse on opening day was its usual sea of people, while the big buzz on the show floor was AI’s move from the theoretical to the practical — in everything from massive TVs to smart home tools and healthcare.

As usual, the show floor is dominated by massive exhibits from such big consumer electronics mainstays as Samsung, Sony, Hisense, TCL, Panasonic and Toshiba.

Samsung’s booth, as usual one of the biggest, delivered on the theme of “AI for All” with displays for smart homes, smart healthcare and even an AI-powered management system for ships called SmartThings. TVs, however, were conspicuously absent, except for a big display of art TVs, dubbed The Frame, which use ambient light sensors to make a static screen display of paintings and photographs look like real art when the TV is not in use.

Samsung trumpeted its impressive slate of smart TVs two days before the show opened at a press conference that saw the unveiling of Samsung Vision AI, a new intuitive technology that will be implemented across all Samsung AI-powered screens and devices, including newly introduced models Neo QLED 8K, Neo QLED 4K and OLED models.

Other CE companies didn’t shy away from using the show floor to flaunt their latest smart sets and Laser projection TVs.

Hisense — with a booth theme of “AI Your Life” — showed off its gargantuan 136-inch MicroLED TV as well as its 116-inch TriChroma LED TV, which the company says is the only consumer model to use RGB Local Dimming Technology, which offers unparalleled color precision, vibrancy, and efficiency.

TCL exhibited its new line of QM6K TVs, featuring TCL’s enhanced QD-Mini LED system and powered by its new Halo Control Technology Suite of hardware and processing advancements. Also at the TCL booth was the 115-inch TCL QM7K Mini-LED TV, which the company says is the world’s largest.

Also new on the TV front were LG Electronics’ LG G5 OLED TV, which the company says is 40% brighter than last year’s G4, and a 55-inch OLED set by a company called Displace TV that gets stuck to the wall using suction cups.

Hosted by the Consumer Technology Association (CTA), CES 2025 runs through Jan. 10.

 “We’re thrilled to dive into CES 2025, which will show innovations that improve the lives of millions of people, create new jobs, and catalyze global economic growth,” said Gary Shapiro, CEO and vice chair of the CTA. “CES is where the future begins. It’s where business gets done, partnerships are forged, deals are struck, and world-changing ideas take center stage.”

In addition to the show floor, CES 2025 features more than 300 conference sessions with top tracks and stages such as CES Creator Space, Digital Health Summit, Great Minds, Innovation Policy Summit, and Research Summit.

And streamers, as usual, have taken over much of the convention space at the Aria, mostly for meeting rooms and activations.

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