SundanceTV and Sundance Now on June 9 released the official trailer and key art for the four-part true crime series “The Furry Detectives: Unmasking A Monster.”
Directed and executive produced by Emmy winner Theo Love with Alex Gibney’s Jigsaw Productions producing, the series reveals a secret that lies beneath the world of Furry.
The series will start streaming on Sundance Now and AMC+ on July 17, the same day as its premiere on SundanceTV. Additional episodes will launch weekly on Thursdays on all three platforms.
“The Furry Detectives: Unmasking A Monster” unpacks the 2018 event known in the Furry community as the “Furry Zoosadist Leaks,” which exposed a conspiracy of animal abuse lurking beneath the Fandom’s exterior. The series follows a pack of dedicated vigilantes who teamed up to bring down the monsters behind the masks. Navigating the line between amateur sleuthing and official police investigation, the Furry Detectives exposed a ring of animal abusers, fought for victims, and defended their community from the evil within.
The Furry community is a subculture of people interested in anthropomorphic animal characters, or animals with human-like traits. Furries connect through shared interests, artistic expression, and social interaction. Many furries create their own fursona, an anthropomorphic animal character that they identify with and use to represent themselves within the community. Some furries create elaborate costumes (fursuits) of their fursonas, which they wear at conventions and other gatherings.
“The Furry Detectives: Unmasking A Monster” will have its world premiere at the 2025 Tribeca Festival June 10, where the first two episodes will be screened at AMC 19th Street East followed by a Q&A panel with Love and producer Julia Lindau.
The Sundance Now Original Series is directed and executive produced by Love. Gibney’s Jigsaw Productions produces with the company’s Razan Ghalayini, Richard Perello and Taylor Rogers serving as executive producers. Julia Lindau serves as producer.
“The Furry Detectives: Unmasking A Monster” (Sundance Now/SundanceTV photo)
Kino Lorber May 27 released the 1993 comedy sequel Wayne’s World 2 in a 4K Ultra HD + Blu-ray Disc combo pack.
In the film, Mike Myers and Dana Carvey reprise their roles as hosts of a public-access television cable TV show in Aurora, Ill. Having achieved godlike status as a late-night TV personality, Wayne (Myers) now confronts the question that has plagued man for centuries: Is there life after cable? Wayne gets his answer in a dream, wherein a very famous (and very dead) rock star says, “Put on a rock concert, and they will come.” So Wayne and Garth (Carvey) present “Waynestock.” But first, Wayne must save his girlfriend Cassandra (Tia Carrere) from a sinister record producer (Christopher Walken), as Garth grapples with the advances of mega-babe Honey Hornée (Kim Basinger). The film also features appearances by Aerosmith, Drew Barrymore, Chris Farley, Charlton Heston, James Hong, Heather Locklear, Tim Meadows, Ed O’Neill and Kevin Pollak.
The first disc in the combo pack has the film on a 4K Ultra HD Blu-ray Disc from a new HDR/Dolby Vision master from a 4K scan of the original 35mm camera negative, on a triple-layer UHD100 disc with 5.1 Surround and Lossless 2.0 audio. Extras include an audio commentary from director Stephen Surjik.
The second disc has the film on a standard Blu-ray Disc from a new HD master, also from a 4K scan of the original 35mm camera negative, on a dual-layer BD50 disc with 5.1 Surround and Lossless 2.0 audio. Extras include the audio commentary from director Surjik as well as a featurette called “Extreme Close-Up”; six U.S. and two UK TV spots; and the original theatrical trailer.
Fuse Media, a minority-owned and operated media company, on May 22 announced record-setting FAST viewership performance for the first quarter of 2025, marking the strongest quarter in the company’s history. Minutes watched surpassed 1.2 billion across all owned and operated channels, representing a 60% year-over-year increase from the first quarter of 2024.
The company says this growth was fueled by momentum across the company’s portfolio of multicultural FAST channels.
Shades of Black, Fuse’s FAST channel focused on Black culture, entertainment and lifestyle, delivered a 67% increase in viewers year-over-year.
While El Rey Rebel, which features Latino-focused action and genre films, recorded its sixth consecutive quarter of growth, achieving its best quarter-to-date and its strongest month ever in March, with viewership up 166%.
Latino Vibes, Fuse Media’s network celebrating Latino culture, also saw 16 months of growth, resulting in delivery up 45% in the first quarter of 2025.
Additionally contributing to record growth across Fuse Media’s FAST portfolio is OUTtv Proud, in partnership with OUTtv, which serves LGBTQ+ audiences, which reports a 250% increase in viewership within the past year.
Backstage, which offers an all-access look at icons across film, music, sports, politics, and true crime, continued its steady growth with March viewership up 30% versus a year ago.
“In the rapidly evolving FAST landscape, where competition is fierce and attention is fragmented, Fuse Media continues to thrive by staying true to our mission — amplifying underrepresented voices and delivering measurable value for our partners,” said Patrick Courtney, chief business officer at Fuse Media. “As audiences demand more meaningful representation, Fuse Media is not only meeting the moment — we’re shaping the future. These wins reflect the power of our content, the strength of our partnerships, and the passion of the team driving it all forward.”
Building on this audience growth, Fuse Media has also launched Amplitude, a comprehensive advertising platform designed to offer custom, cross-platform ad solutions that empower brands to amplify their presence across today’s dynamic media ecosystem.
Fuse Media is known for its inclusive content and global multiplatform footprint across FAST, linear and SVOD with a combined audience of more than 52 million unique monthly viewers. Programming across Fuse Media’s platform offerings targets culturally diverse young adults with purpose-driven stories.
Streaming service Paramount+ has announced the greenlighting of season four of “Yellowjackets,” the hit series that follows a team of wildly talented high school girl soccer players who become the (un)lucky survivors of a plane crash deep in the remote northern wilderness.
Created by Ashley Lyle and Bart Nickerson, season four of “Yellowjackets” will bring the return of actor Elijah Wood (Lord of the Rings), Sophie Thatcher (Boogyman), and Christina Ricci (Sleepy Hollow), among others.
“Yellowjackets has become a cultural juggernaut; with season three shattering all previous records, we are thrilled to announce its renewal for a season four on Paramount+,” said Chris McCarthy, co-CEO of Paramount Global and President of Showtime/MTV Entertainment Studios. “Ashley and Bart have masterfully crafted an utterly singular, genre-defying phenomenon: a perfect alchemy of psychological horror, survival thriller and coming-of-age drama that continues to captivate audiences worldwide, brought to life by our extraordinarily talented and beloved cast.”
The series, which premiered on Showtime in November 2021, became the second-most-streamed series in Showtime history, behind “Dexter: New Blood.” Season three premiered last February.
Grant Theft Auto VI, slated for May 26 release for both the PlayStation 5 and the Xbox Series X|S, is one of the most expensive, and highly anticipated, video games ever.
Conner C. Arnold
But the online buzz revolves around one big question mark: Will the game continue the politically rebellious tone of earlier “GTA” games, or follow Hollywood down the path of political correctness and, in the process, alienate the franchise’s most ardent fans?
The “Grand Theft Auto” video game series, from Rockstar Games, parodies modern-day American politics and customs, giving players the liberty to navigate through big cities like New York and Los Angeles in any way they see fit. Players can rule the drug trade, rob convenience stores, and commit virtually every felony known to man — everything that one would expect from a piece of media called Grand Theft Auto. After rising to popularity, breaking sales records and inspiring countless spin-off titles since the 1990s, the series has finally landed on its sixth installment, to be set in a modern-day Miami called “Leonida.” The first trailer amassed over 475 million views across YouTube and other platforms within 24 hours of its release, making it the company’s most anticipated title to date.
But will GTA VI be the same type of game that has spurred the franchise to unprecedented heights of popularity? Lead writers such as Michael Unsworth, Lazlow Jones, and Dan Houser have all left Rockstar for reasons that range from creative differences to hectic work schedules or significant life events. Some of these people had been with Rockstar since the 2000s. What this means for the series is that the writing in the new game may not have the same signature as prior entries. Historically, projects that have a significant exodus of talent are difficult to maintain.
On top of that, Rockstar might be less inclined to take the risks that propelled the series into fame in the first place. When considering the current economic and political state of the world, it makes sense not to take these risks. GTA VI might not be able to match the level of satire that was present in past installments simply because it’s too risky in today’s current political climate. Development on GTA VI began in 2020, a milestone year in which the world changed. COVID-19 and the George Floyd protests triggered lingering waves of political and cultural tensions that have only divided the country further — and everyone seems to want to play it safe to avoid offending one side or the other. And with the “GTA” games known for parodying modern society, gamers are justifiably worried that the new cast of developers might hold back on what made the series so popular in the first place.
Risky satire has been an issue since the franchise was launched in 1997. Screen Rant calls the original GTA “one of the most controversial games of all time,” and notes that publicity for the first game sought to capitalize on the controversy by feeding into the emerging argument at the time that video games were “murder simulators” that encourage acts of violence. critics referring to the original game as “murder simulators” that encourage acts of violence. Hell, on a personal note, I remember playing the game as a kid with my older brother and my dad bursting into the room, yanking the game out of the player and snapping the disc in two!
GTA 3, the Screen Rant article notes, was criticized in the media for its realistic depictions of carjacking, murder and prostitution. C-founder Jamie King left in 2006, two years before the launch of GTA IV, which according to the Screen Rant article came under fire from anti-video-game activist Jack Thompson, who sued to block the game’s release, as well as Mothers Against Drunk Drivers (MADD), which honed in on the game allowing players to “drive” while intoxicated.
GTA V, which came out in 2013, was blasted by critics over a particularly graphic torture scene — but still managed to sell over 215 million copies since its initial release.
It only makes sense for Rockstar to expect big earnings from the next title.
The company has invested close to $2 billion and spent five years developing the game. But while there’s little doubt that the company is going to make its investment back, Reddit and other blog sites are filled with posts wondering whether the many years of criticism, and the super-charged political environment that has arisen during the same five years that the game has been in development, will finally have an impact.
Consider what happened with Saints Row, one of the early open world crime games that was launched in 2006, as the GTA series was in mid-stride. Saints Row made its mark on the game world by telling the story of a fictional street gang known as the 3rd Street Saints. The Saints Row games, as the Den of Geek website notes, “have historically been filled with homophobia, racism, numerous instances of sexual violence towards women being played for laughs, and numerous other instances of crass content often justified in the name of parody.”
After a five-year hiatus, the series returned in 2022. In the months leading up to the game’s release, Volition made no secret of its desire to change the discriminatory tone of the series. Saints Row producer Rob Loftus even commented that it was time to change the humor to be “more suitable for a larger audience.” What this meant was that series was going to sacrifice some of its more crude and offensive behavior in the hopes that more people would be drawn to the series.
Costing around $100 million to make, the Saints Row reboot was a colossal failure, losing about $48 million in sales. Critics compared it to someone being a regular at a restaurant and then discovering they’ve discontinued some of his favorite dishes — the very same menu choices that made this person a regular in the first place. The diner’s solution is to go to another restaurant, while the restaurant owner decides to double down and remove even more of the old menu items in favor of dishes he believes will have broader appeal. This results in a domino effect of more and more regulars leaving, with only a trickle of replacement diners, until the restaurant is forced to go out of business
Amid all the arguments about how “times have changed,” it has unfortunately come down to whether or not GTA VI will force popular political ideals onto gamers and sanitize its satire in a way that detracts from the overall “GTA” experience. Considering its high profile in the industry, this could be a make it or break it moment for Rockstar. The final say will come from Take Two Interactive, the company that owns Rockstar. Take Two had purchased two other game developers, Zynga in 2022 and Gearbox in 2024, with the objective of enhancing “our financial profile through greater scale and profitability, paving the way for us to deliver strong shareholder value,” according to That Park Place. Since then, Take Two has shuttered two game studios and slashed its workforce. And while this might play well on Wall Street, any time a game company starts talking about profitability and shareholder value, the gamer community’s eyebrows are going to be raised — particularly if Take Two, like Volition, believes strengthening “shareholder value” hinges on making the game more acceptable to the masses.
Some gamers also question whether Take Two/Rockstar has been working with Sweet Baby Inc., a DEI consulting firm. Sweet Baby’s clients include Xbox, Warner Bros. Discovery, Electronic Arts, the NFL, NHL and FIFA soccer franchises, the “Sims” franchise, Star Wars games, Ubisoft, Square Enix, and Wizards of the Coast. According to blogger Daniel Greenfield, of the top 10 bestselling games in 2023, eight were published by Sweet Baby clients. “The consolidation of the gaming industry and the embrace of DEI by top gaming companies has made it virtually impossible for video and computer game players to escape DEI’s reach,” Greenfield warns in a blog post.
If speculation is right and Sweet Baby is working with Take Two/Rockstar, then GTA VI could follow in similar footsteps to the Saints Row reboot — only this would be on a much more massive scale, given the game’s nearly $2 billion budget and sky-high sales projections.
In the trailers that have been released for GTA VI, it is clear that the new game will continue the franchise’s legacy of parodying modern life. But it is unclear how sanitized this approach will be in the new game. Judging from the trailers, there are nods to TikTok, social media and animal poaching, and there’s even a billboard in one of the screenshots that reads “Tiny Frank’s Diversity ‘n’ Treats,” a rip on how big corporations are trying to profit off rainbow capitalism. That’s an encouraging sign that with GTA VI, Rockstar is sticking with the franchise’s roots and won’t “punch down” too hard in the interest of political correctness.
Still, the trailers are only a slice of the final game, and whether or not GTA VI will match the politically rebellious tones of previous entries remains unknown. If GTA VI shapes up to be another DEI vessel along the lines of the Saints Row reboot, it could spell doom for the popular franchise.
Either way, GTA VI will have a major impact on the gaming industry and its approach to social issues — for better or for worse.
Conner C. Arnold is a journalist and longtime video game fan who lives in Carlsbad, Calif. He may be reached at connerclayarnold01@gmail.com.
Kino Lorber May 27 will release the 1996 sports comedy Kingpin in a 4K Ultra HD + Blu-ray Disc combo pack.
The film stars Woody Harrelson as Roy Munson, a bowling hustler. When a bowling accident threatens his chances at the spotlight, Munson must take measures to preserve his professional career. Teamed up with Randy Quaid (Vacation) and Vanessa Angel (Spies Like Us) the group embark on a training journey to increase their odds of success.
The first disc in the combo pack has the theatrical cut of the film on a 4K Ultra HD Blu-ray Disc from a new HDR/Dolby Vision master from a 4K scan of the original 35mm camera negative, on a triple-layer UHD100 disc with 5.1 Surround and Lossless 2.0 audio. Extras include a new audio commentary by entertainment journalists Bryan Reesman and Max Evry.
The second disc is a standard Blu-ray Disc with both the original theatrical cut and an extended cut, both from new HD masters from 4K scans of the original 35mm film elements, on a dual-layer BD50 disc with 5.1 Surround and Lossless 2.0 audio. This disc has the new audio commentary from entertainment journalists Reesman and Evry, as well as a previously issued commentary from filmmakers Peter and Bobby Farrelly, who also directed Dumb and Dumber, There’s Something About Mary and Me, Myself & Irene.
The classic 1974 heist drama Taking of Pelham One Two Three is being reissued on Blu-ray Disc Dec. 10 by Kino Lorber.
The film, starring Walter Matthau and Robert Shaw, carries a suggested retail price of $16.59. It was last released on Blu-ray Disc two years ago.
In the film, a gang of armed professionals hijack a New York subway train somewhere outside the Pelham station and threaten to kill one hostage per minute unless their demands are met. Forced to stall these unknown assailants until a ransom is delivered or a rescue is made, transit chief Lt. Garber (Matthau) must outmaneuver a crafty villain (Shaw) in a battle of wits that will either end heroically or tragically.
The film arrives on Blu-ray Disc from a 2022 HD master that was created from a 4K scan of the original 35mm camera negative, with 5.1 Surround and 2.0 Lossless audio.
Extras include audio commentaries by film historians Steve Mitchell and Nathaniel Thompson and Pat Healy and film programmer Jim Healy; a vintage featurette from the point of view of New York City Transit Policeman Carmine Foresta, who appears in the film as a train expediter; interviews with actor Hector Elizondo, editor Gerald B. Greenberg and composer David Shire; a “Trailers from Hell” episode; an image and poster gallery; the original theatrical trailer; and TV and radio spots.
Kino Lorber on Dec. 31 will release the John Wayne starrer Hatari in a 4K Ultra HD + Blu-ray Disc combo pack.
In the 1962 adventure romcom directed by Howard Hawks, Wayne stars as the leader of a group of highly skilled professional game hunters in Africa. Only they don’t use bullets — they capture the animals with strong ropes and cameras for zoos and circus attractions. It is a business that pits man against beast. “Hatari” is Swahili for “danger.” The film was shot in Technicolor and filmed on location in northern Tanganyika (in what is now Tanzania). The film includes dramatic wildlife chases and the scenic backdrop of Mount Meru, a dormant volcano.
The first disc in the combo pack has the film on a 4K Ultra HD Blu-ray Disc from a new HDR/Dolby Vision master from a 16bit 4K scan of the original 35mm camera negative, on a triple-layer UHD100 disc with 5.1 Surround and Lossless 2.0 audio.
The second disc is a standard Blu-ray from a new HD master, also from a 16bit 4K scan of the original 35mm camera negative, on a dual-layer BD50 disc with 5.1 Surround and Lossless 2.0 audio.
With theatrical earnings of just under $13 million, Hatari was the eighth-highest-grossing movie of 1962 — finishing right behind To Kill a Mockingbird, which grossed about $200,000 more.
Kino Lorber has announced an Aug. 6 Blu-ray Disc release date for the 2024 film Banel & Adama, a Senegalese film in Pulaar with English subtitles.
Banel & Adama follows a young married couple living in a remote village in northern Senegal. For them, nothing else exists except each other. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The two lovers have their own plans — until something in the air changes. The rains do not come, the cattle begin to die, the men leave. The curse weighs on Adama’s sense of duty, and the chasm between them drives Banel into a feverish, mystical chaos.
A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal’s official submission to the 96th Academy Awards, Banel & Adama is coming to Blu-ray Disc edition includes a Q&A with director Ramata-Toulaye Sy as well as a theatrical trailer.
Kino Lorber has announced an Aug. 6 DVD release date for the 2023 documentary Swan Song, from Greenwich Entertainment.
Directed by Chelsea McMullan, the film takes a behind-the-scenes look at the 2022 National Ballet of Canada production of “Swan Lake,” choreographed for the first time by the company’s artistic director, ballet icon Karen Kain, who steps into the role of director on the eve of her retirement after a more than 50-year career in ballet. The film weaves together revealing scenes of the intense creative process with intimate moments inside the dancers’ personal lives.
Swan Song was an official selection at the Toronto International Film Festival, which observed on its website, “Swan Song is less concerned with further canonizing [Kain] than with observing the way aging artists can welcome a new generation, should they choose to. The film darts in and out of its subjects’ lives, homes, and rehearsal spaces to capture the company as an organic entity — performers, choreographers, and technicians pushing through physical and emotional obstacles to remake a revered work in their own image. … Even something as simple as Kain pushing for the dancers to abandon the pink tights of the swan costumes — thus acknowledging the diversity of skin colors onstage — turns out to have revolutionary implications. Forgive the mixed metaphor, but it’ll give you goosebumps.”
At Cinéfest, the film was runner-up for the Audience Choice award for Best Documentary Film. At the Calgary International Film Festival, Swan Song won the award for Best Canadian Feature Documentary. The film was also the winner of the 2024 Canadian Screen Award for Best Sound Design in a Documentary.
Swan Song was executive produced by Neve Campbell, who began her career when she enrolled at the Canada’s National Ballet School.