STREAMING REVIEW:
Netflix;
Mystery;
Rated ‘PG-13’ for violent content, bloody images, strong language, some crude sexual material, and smoking.
Stars Daniel Craig, Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, Thomas Haden Church, Annie Hamilton, James Faulkner, Noah Segan, Jeffrey Wright.
The third and best of the mystery films featuring Daniel Craig as private detective Benoit Blanc, Wake Up Dead Man gives writer-director Rian Johnson a chance to work through his misgivings about organized religion.
The multi-layered mystery story centers on troubled young Catholic priest Father Jud (Josh O’Connor), a former boxer whose temper earns him reassignment to a small-town parish where he can keep an eye on the firebrand Monsignor Wicks (Josh Brolin).
Jud’s arrival is met with resistance by Wicks, whose intensity at the pulpit has driven away most of the local parishioners, leaving a core group of loyal followers.
They see Wicks as a holy avenger defending the faith from a wicked world. One of the flock, a podcaster, even posts Wicks’ sermons online, hoping to turn him into a cult figure to the outside world.
Nine months into his tenure witnessing Wicks’ domineering nature, Jud declares that Wicks must be removed for the parish to survive. Shortly afterward, Wicks is stabbed to death in a storage room near the pulpit while taking a break from his Good Friday lecture.
Since Wicks was unharmed walking into the room, and no one could have entered or exited it without being detected, the local police chief (Mila Kunis) is stumped by the seemingly impossible crime, and calls in Blanc.
Though Jud’s disagreements with Wicks make him the prime suspect, Blanc enlists his help to give him perspective on Wicks’ clique and sort through the clues that are, at first glance, contradictory.
Blanc likens the case to a classic “locked-room mystery,” paying homage in particular to the 1935 John Dickson Carr novel The Hollow Man and its laundry list of ways such a crime could be committed. However, as he and Jud dig deeper, the case proves bigger than they could have imagined, intertwining at least three generations of Wicks family controversies.
Like the previous Benoit Blanc films, Wake Up Dead Man is a master class in misdirection, as each new reveal gives new context to earlier scenes and enhance the film’s rewatchability. The film is capable of pulling this off thanks to its stellar cast, not just the terrific lead performances by O’Connor and Craig, but in subtleties provided by the supporting cast, particularly Glenn Close as the devout church secretary Martha in a performance adept at conveying multiple levels of information depending on how the viewer reads the scene.
The film also manages to be quite funny despite some of the darker tones of the story. Johnson’s choice to use the mystery plot to examine the relationship between a church and its followers is bound to garner some heat not only for its overt observations about religious doctrine, but also its allegorical subtext about modern American politics. While these provide another level of potential discussion about interpretations of the film and accuracy of Johnson’s social commentary, they shouldn’t detract from what is otherwise a solidly constructed mystery story on its own.
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